“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!

When Janne Sibelius and Aino Järnefelt gazed at each other across a family dinner, love was definitely in the air. “My eyes never left you,” Sibelius wrote later, and her brother Arvid loudly proclaimed, “Don’t look at my sister like

Music can be an all-consuming passion that serves as a daily spiritual and physical exercise. Jean Sibelius (1865-1957) certainly thought that way, as “music grasped me with a power that rapidly relegated all my other interests to the background.” Initially,

“Music begins where the possibilities of language end” For a number of high-profile music historians, Jean Sibelius (1864-1957)—instead of Gustav Mahler—is considered the last master in the Beethoven symphonic tradition. In his final symphony, so it is argued, Sibelius relentlessly

At age 23, Jean Sibelius “was pale and good-looking, slender and sensitive. He seemed to all a strange and attractive being. And of course, we were all in love with him…And he was lovable. Refined, attractive, polite, he had that

Glenn Gould, piano   Sibelius: Sonatinas for piano, Op. 67: Sonatina No. 1 in F sharp minor: Allegro moderato From The Glenn Gould Edition – Grieg – Bizet – Sibelius: Piano Works (1992) Released by Sony Classical Sibelius: Sonatinas for