Rossini

25 Posts
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Gioachino Rossini
“Give me a laundry bill and I will set it to music” When Gioachino Rossini (1792-1868) spontaneously decided to retire in 1829, he was universally considered the most popular opera composer in history. No other composer enjoyed his prestige, popular
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Rossini: Guillaume Tell
Premiered Today in 1829
Rossini’s last opera, the four-act Guillaume Tell, with a composite French libretto based on Schiller’s play Wilhelm Tell, was produced at the Paris Opéra on 3 August 1829. However, within three performances the opera’s length of roughly four hours and
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Back to the roots
Naples puts on Rossini’s Mosè in Egitto 200 years after its house debut
Quite possibly the Teatro San Carlo of Naples, Italy’s leading opera house in the early 19th century, has found its groove again. In spite of a middle-of-the-road production of Gioachino Rossini’s Mosè in Egitto (Moses in Egypt), the legendary San
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At the Center of the Musical Universe
Gioachino Rossini II
In 1808 Sébastien Erard registered a patent that fundamentally changed piano construction forever. As hammers had become more massive, they produced a much heavier touch for the performer. As such, the ability to repeat notes was severely impacted and the
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At the Center of the Musical Universe
Gioachino Rossini
During the first half of the 19th century, Gioachino Rossini was recognized as the greatest Italian composer of his time. No other composer enjoyed his prestige, popular acclaim and artistic influence in the world of opera. And as we all
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Minors of the Majors
Gioacchino Rossini: 3 Choeurs Religieux
“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
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Tournedos à la Rossini
Today, we remember Gioachino Rossini (1792-1868) as the most prominent composer of Italian opera in the first half of the 19th century. But, when he was a young man growing up in Bologna he was simply known as “La Grassa,”
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A Recipe for Success?
Verdi, Pacini,and Rossini
Almost immediately after the premiere of Oberto in 1839, a contemporary critic considered the question of Verdi’s personal musical style. “Many salient features of this style are not Signor Verdi’s own,” he wrote. “The crescendo and the use — not
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