The city of Mannheim, picturesquely located at the confluences of the Rhine and Neckar Rivers, was not only home to one of the best orchestras in Europe, it was also a thriving center for religious music. Much of the music

Ignatz Fränzl (1736-1811) was one of the most acclaimed virtuoso performers working at Mannheim. Already his father had been part of the orchestra, playing trumpet and viola under the leadership of Johann Stamitz. When Ignatz joined the ensemble as violinist

One of the most significant innovations of the Mannheim Orchestra was to standardize the orchestral instrumentation. It normally consisted of strings — first and second violins, violas, cellos, and double basses — and pairs of flutes, oboes, bassoons, French horns,

Ian Pong : Allegro in the style of Mozart (1998) Ian Pong, piano Allegro in the style of Mozart A delightful Allegro composed by our very own Ian. Music Score “For personal use only” Click here to find out more

Berlin Philharmonic Orchestra Claudio Abbado Sabine Meyer, clarinet Music Score Watch Live Giovanni Antonini and The Orchestre du Capitole de Toulouse Martin Fröst, clarinet Innovations in instrumental design, and the performers who explore these newly found opportunities, frequently spur the

Wolfgang Amadeus Mozart first visited the city of Mannheim — a little side trip after a performance in Munich — in 1763. Accompanied by his parents and his sister Nannerl, he only stayed for a couple of days before the

Scholars are generally in agreement that the young Wolfgang Amadeus Mozart attended a performance of J.C. Bach’s opera “Adriano in Siria,” which premiered at King’s Theatre London on 26 January 1765. J.C. was clearly at the centre of London’s almost

During his stay in London, Wolfi apparently composed a number of duet sonatas, that is, two players performing at one piano. They were probably intended for his personal use and included the participation from his sister Nannerl. Advertisements from 1765