Frequently referred to as the ‘New Testament’ of piano music (Bach’s ‘Well-Tempered Clavier’ being the ‘Old Testament’), Beethoven’s 32 Piano Sonatas rank amongst the high Himalayan peaks of the pianist’s repertoire. The primary appeal of these pieces, aside from the
The Concerto for Violin, Cello and Piano in C Major, Op. 56 by Ludwig van Beethoven, more commonly known as the “Triple Concerto,” has not fared well with critics, scholars and audiences alike. Music critic Marion Scott suggested that the
“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
We have all heard or seen performances of the big piano concertos by Tchaikovsky, Rachmaninoff, Liszt, Grieg, Prokofiev and various others. Hordes of young lions and lionesses—technically perfect and getting increasingly younger—merrily thunder through the repertoire on their prospective ways
The early career of Ludwig van Beethoven was decisively shaped by the patronage of Count Ferdinand Ernst Gabriel von Waldstein and Prince Joseph František Maximilian Lobkowicz. In fact, without the unquestioning support and friendship from these two individuals, Beethoven’s musical
The year 1812 marked a turning point in Beethoven life. He consistently experienced poor health, emotional stress and lived in great financial anxiety. He spent considerable time at the spas in Teplitz, Karlsbad and Franzensbrunn, and in September he wrote
Piano Sonata no 21 in C Major, Op.53 “Waldstein” III Rondo: Allegretto moderato From Beethoven: Piano Sonatas Nos. 8, 21, 32 (Giltburg) (2015) Released by Naxos Beethoven: Piano Sonata no 21 in C Major, Op.53 “Waldstein” – III Rondo: Allegretto