The piano was Ludwig van Beethoven’s favourite instrument. He was a virtuoso at the keyboard, and his compositions for piano “became a vehicle for experimenting not only with the fundamental aspects and techniques of music, but also a means of
Beethoven
It’s the bane of every beginning pianist – it’s too easy to make it banal and not musical – and it’s probable that the work itself is misunderstood by 99% of the amateurs who attempt it. ‘It’ is Beethoven’s Bagatelle
Beethoven’s opera Fidelio had problems from the start. Its premiere, in November 1805, came a week after Napoleon’s troops had invaded Vienna. The composer’s patrons had left the city, and the audience, largely made up of French officers, didn’t like
In the 19th century, the rise of Napoleon and the threat he posed to all of Europe (and Russia) cannot be underestimated. As his victorious armies swept from border to border, whole nations fell under his sway. Those with revolutionary
In our current musical world, we can hear, literally, anything at anytime. Want a string quartet – The Kronos is on call. Want a piano recital – voilá, Lang Lang appears (if that’s who you want). A full orchestra can
The name Johann Baptist Cramer (1771-1858) is essentially synonymous with his celebrated set of 84 studies published as “Studio per il pianoforte.” The first set of 42 studies appeared in print in 1804, and a second set was issued in
By taking care of Symphonies and Concertos in the first two part of this survey, we’ve done the massive works. Now we look at the works for smaller ensembles and soloists, but the task doesn’t get any easier. Nearly every
Beethoven’s incidental music to Goethe’s play Egmont, being given at the Royal Imperial Court at Vienna was late. The play opened on 24 May 1810 and the only mention of the incidental music comes at the time of the third