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Giulio Romano Caccini
“Music is text and rhythm, and sound last of all” 400 years ago, the Italian composer, singer, teacher and instrumentalist Giulio Romano Caccini (1551-1618) passed away in Florence. He wasn’t a particularly pleasant individual, and frequently guided by envy and
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Gioachino Rossini
“Give me a laundry bill and I will set it to music” When Gioachino Rossini (1792-1868) spontaneously decided to retire in 1829, he was universally considered the most popular opera composer in history. No other composer enjoyed his prestige, popular
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Leonardo Capalbo
On ‘The Integrity and Quality of Each Individual Moment’ Italian American tenor Leonardo Capalbo chats to me on his day off in Warsaw, in the middle of a production of La Traviata at the Teatr Wielki. His hotel room faces
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Claudio Monteverdi
Creator of modern music In 2017 we celebrate the 450th birthday of Claudio Monteverdi (1567-1643). He was the most important musician in late 16th and early 17th-century Italy, and the first great composer of opera. He developed powerful ways of
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Ottorino Respighi
Pining for Rome 85 years ago, on 18 April 1936, Ottorino Respighi (1879-1936) died from an inflammation of the inner layer of the heart in Rome. Respighi lived and worked during tumultuous political times, and his historicist interest in Italian
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Ferruccio Busoni
Music is the gate between the earthly and eternal world In 2016 we celebrate the 150th birthday of Ferruccio Dante Michelangiolo Benvenuto Busoni (1866-1924), one of the most talented and controversial piano virtuosos active during the second half of the
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Giovanni Paisiello
The Original Barber of Seville In 2016, we celebrate the 200th anniversary of Giovanni Paisiello’s death (1740-1816). One of the most successful and influential opera composers of his time, he wrote music for 94 operas that cultivated a comic, simple,
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Pietro Antonio Locatelli
The Paganini of the 18th CenturyThe violinist Pietro Antonio Locatelli (1695-1764) was widely known as the “Paganini of the eighteenth century.” As a performer Locatelli systematically explored the uncharted regions of the instrument, including left-hand extensions, double and triple stops,
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