Opinion

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Rewriting Artist Biographies
Another concert programme, another artist biography comprising a dry list of eminent teachers and mentors, concert halls performed in, orchestras and conductors worked with, recordings made and “forthcoming engagements include”. All standard information: exchange the names and the impersonal text
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Fidelity and interpretation
An urtext edition of a work of classical music is a printed version intended to reproduce the original intention of the composer as exactly as possible, without any added or changed material. (Wikipedia)
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Picture This
Using Visualisation Techniques in Playing, Performing and Teaching
What is Visualisation? Visualisation techniques have been used by sports people and sports psychologists for some time now to enable the tennis player or athlete, the golfer or cyclist to prepare for a match-winning shot or prize-winning sprint. The technique
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Knowing the Score
Pange lingua (Alice Halstead, soprano; Clare College Choir, Cambridge; Graham Ross, cond.) A recent article in The Guardian which asserts that musical notation (i.e. the dots, lines, squiggles and marks on a written or printed page) is “a cryptic, tricky
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Live life! It’s good for you and your music
I fell in love with the city of Vienna during my first visit in 2015, and that affection was sealed on my second visit in Spring 2016. At the risk of sounding bossy, if you are a musician you have
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More please! The Art of the Piano Encore
The concert is complete, the applause is given generously. The performer bows, acknowledging the audience and their applause, and leaves the stage. The applause grows more enthusiastic and the performer returns once again to take a bow and thank the
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The Three C’s: Confidence Commitment Concentration
Sometimes, and more frequently that you might imagine, my husband’s world (mountain-biking) and mine (music) intersect, with interesting results. At first sight, our respective passions could not be more different: he likes to hurl himself and his bike down the
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Note Bashing
I never thought I’d write an article on “note bashing”. In general it’s not something I advocate – mindless repetitive practise, thoughtlessly hammering away at the same phrase or group of notes. However, during my work on one of Schubert’s
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