In tune

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The True Embodiment of the Olympic Spirit
Micheline Ostermeyer
Pierre de Coubertin, father of the modern Olympic games strongly believed that sports and the arts had become artificially separated. As such, he looked to integrate music alongside other art forms in the Olympic competition itself. The first “pentathlon of
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Composers and Their Poets: Hahn
The composer Reynaldo Hahn (1874-1947) was active in many different aspects of French musical life: he was a singer and a director, a conductor and a critic, and last, but not least, a composer and an artist. He entered the
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Edvard Munch — Henrik Ibsen — Edvard Grieg
A recent exhibition at the Museum of Fine Arts in Richmond, Virginia ‘Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life’ brought together works of the two painters, the Abstract Expressionist Jasper Johns (1930-) and the Norwegian
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Pioneers of the Japanese Art Song
Hakushū Kitahara and Kosaku Yamada
Hakushū Kitahara (1885-1942) is widely regarded as one of the most popular and important poets in modern Japanese literature. Active during the Taishō and Shōwa periods, and founder of his own literary group that included painters, musicians and actors, he
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Composers and Their Poets: Gerald Finzi
We generally don’t think of Thomas Hardy (1840-1928) as a source for song texts but rather as the man for tales of the realism and drama of the Victorian English countryside. Yet, when the 20th century hit, nearly all Hardy
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Playing for Progress: In Touch with Alyson Frazier
2016 has certainly seen more crises than most years. But while the attention of the general public and the media tends to move quickly from one disaster to the next, many of those crises remain far from resolved. One of
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Composers and Their Poets: Hector Berlioz
Hector Berlioz ((1803-1869) is known for his monumental orchestral works, for his utter command of orchestration, and for his gothic horror in the Symphonie fantastique. We often forget, however, that he was also known for his songs. In a rare
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Composers and their Poets: Schoenberg III
If Gurre-Lieder was a cantata and The Book of the Hanging Gardens a song cycle, then we must separate out one more large cycle for examination. It’s not song as we might recognize it from Schubert and Schumann, but rather
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