In tune

734 Posts
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Outspoken Performances II: Conductor’s Podium as a Political Platform
Conductors are the only musical performers that do not produce sound. Rather, they operate at the tip of a long chain of non-verbal communication from the composer to the audience. But conductors are hardly silent. Since conducting has always been
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Outspoken Performances: Politics on and off the Stage
While it has been fashionable to separate the art from the artist—just think of Caravaggio, Woody Allen, Benjamin Britten, Richard Wagner and countless others—music and politics have always been intricately connected and entwined. As the great Isaac Stern famously said,
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The Music of Poetry
John Keats and Fanny Brawne “La Belle Dame Sans Merci”
Fanny Brawne met John Keats at Wentworth Place in November 1818. She was described as “small, her eyes were blue and often enhanced by blue ribbons in her brown hair… She was not conventionally beautiful; her nose was a little
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The Music of Poetry
John Keats “Nothing Ever Becomes Real Till It Is Experienced”
Tuberculosis, or consumption as it was known throughout the 19th century—decisively shaped the social history of Europe. Its impact on the artistic world was extremely powerful, with artists offering their own commentaries on the disease through painting, poetry and opera.
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The Music of Poetry
John Keats “Heard Melodies Are Sweet, but Those Unheard Are Sweeter”
The English Romantic poet John Keats (1795-1821) tragically died from tuberculosis at the age of 25. Creating a profound body of work under the cloud of near-constant illness, Keats captured extreme emotions through an emphasis on natural imagery. In the
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The Music of Poetry
Charles Baudelaire in “foreign” tongues
In 1936, Edna St. Vincent Millay and George Dillon published a translation of Baudelaire’s “The Flowers of Evil.” Trying to infuse the publication with a sense of authority, they asked the French poet, essayist, and philosopher Paul Valéry for an
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The Music of Poetry
Charles Baudelaire “La Vie Antérieure”
“La vie antérieure” (A former life) originates in Baudelaire’s Les Fleurs du Mal first published in 1857. The collection was reissued in 1861 and published for the final time in 1868 after Baudelaire died. Baudelaire is generally considered to be
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The Music of Poetry
Cinq Poèmes de Baudelaire
Setting the poetry of Baudelaire to music is a highly complex undertaking. His poems have a complexity of thought and a richness of verbal music that almost defy the composer to add anything. Francis Poulenc, who devoured Baudelaire’s verse avidly
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