In essence

1705 Posts
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Paul Wittgenstein
The Travesty of War
During the golden days leading up to the “war to end all wars,” the Wittgenstein family stood at the forefront of the cultured bourgeoisie in Vienna. In imitation of aristocratic mannerisms, they freely dabbled in artistic patronage, financed by the
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I Am the Very Model: Gilbert and Sullivan and Light Opera III
In their late years, Gilbert and Sullivan weren’t as successful as they had been in their early years. Yet, their legacy still lives on and even over a century later, their music keeps reappearing, often with new lyrics.
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At the Center of the Musical Universe
Gioachino Rossini II
In 1808 Sébastien Erard registered a patent that fundamentally changed piano construction forever. As hammers had become more massive, they produced a much heavier touch for the performer. As such, the ability to repeat notes was severely impacted and the
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Destination Moscow
The heart of Russia is its capital, Moscow. Home to some of the most important conservatories in the country, Moscow has been a musical inspiration to both orchestral and choral composers through the ages. As a musical center, it has
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I Am the Very Model: Gilbert and Sullivan and Light Opera II
Gilbert and Sullivan’s next opera made its surprising debut in New York, rather than London, in an attempt to secure American copyright, which at that time was rather a pirate industry of itself. The Pirates of Penzance opened on New
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At the Center of the Musical Universe
Gioachino Rossini
During the first half of the 19th century, Gioachino Rossini was recognized as the greatest Italian composer of his time. No other composer enjoyed his prestige, popular acclaim and artistic influence in the world of opera. And as we all
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Destination Shanghai
Shanghai – the beautiful city on the Yangtze River – was one of the first major cities of China opened to the West in 1842 and seems to have always had one foot firmly in China while, at the same
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I Am the Very Model: Gilbert and Sullivan and Light Opera I
It’s of some tribute to librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) that 140 years after their first comic operas hit the stage, we can still find a great deal of humour in their works and many of
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