In essence

1707 Posts
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Vagn Holmboe: “Moya”—7 Japanese Songs
In Japanese architecture “moya” designates the core or central part of a residential building. When Buddhism was introduced to the country in the 6th century, “moya” became the designation of the sacred central area of a temple building. In the
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What is Olden?
Several pieces have the word ‘olden’ in their titles. We’ll look at 4 works and see that each composer carries a different meaning for the word. Henryk Górecki: 3 Olden Style Pieces Górecki combined elements of folk origins with modern
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Food for Thought
Mealtime with Erik Satie
Without doubt, in the world of madcap artists and composers, Erik Satie was the most eccentric. Just how eccentric was he? In 1893, he conceived a piece entitled Vexations. The piece consists of a single bass phrase to be accompanied
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The Double Lie: Beethoven’s Octet in E Flat Major
In November 1792, Beethoven was sent by his patron, the Archbishop-Elector of Bonn, to Vienna, where he would study with Haydn. To show his pupil’s progress, Haydn reported back to the Archbishop-Elector, sending examples of his work. Unfortunately, one of
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Eugene Goossens: Old Chinese Folksong
Sir Eugene Goossens (1893-1962) was a member of one of the most important English musical dynasties of the 19th and 20th centuries. He started his career as a professional violinist, performing his own compositions influenced by the musical styles of
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Fanciful Stories in Music
Dittersdorf: “Ovid Symphonies” III
In an earlier episode, I told the story that Carl Ditters von Dittersdorf (1739-1799) planned on writing a total of 15 symphonies based on Ovid’s Metamorphoses. He presented the Viennese publisher Artaria with a detailed outline of his grand design.
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Fanciful Stories in Music
Dittersdorf: “Ovid Symphonies” II
Carl Ditters von Dittersdorf (1739-1799) was a highly respected violin virtuoso and prolific composer. It might be difficult to imagine today, but his popularity was said to have rivalled Haydn, Gluck, and Mozart. I think that might be a little
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Leonard Bernstein
Four Anniversaries (1948) and Five Anniversaries (1949-51)
Leonard Bernstein contributed a modest but significant group of compositions for solo piano. As a noted pianist suggested, “the Bernstein works for solo pianos are a viable addition to present-day keyboard literature, and should not be underestimated.” Among his works
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