In essence

1706 Posts
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Rossini and His Overtures
We celebrate Gioachino Rossini (1792-1868) as one of the most successful and popular operatic composers of his time. And although you might never have actually seen or heard a complete Rossini opera, I am sure you know a good many
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When Webern was Romantic: Im Sommerwind
Anton Webern (1883-1945) is best known to us as part of the Second Viennese School with his teacher Arnold Schoenberg and fellow-student Alban Berg. Before he was a radical atonal composer, however, he was a nice Romantic composer whose idol
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A Brief Limerick History of Music
For a good many people, including some practicing musicians, music history can be a somewhat distant and dry subject. Educators, scholars and critics have long searched for ways to make this particular subject more palatable. The Musical Herald started publishing
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Karaoke Bach
If you listen to the recordings by Glenn Gould playing Bach, you can’t help but notice that he kept singing, humming or groaning along as he plays. Since audio engineers were not always successful in erasing his voice from the
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The Nostalgia and Pain of Memory: Janáček’s On an Overgrown Path
The nationalism that hit the 19th century and carried through to the 20th century had a profound effect on music. Music that had been ignored for its folk-like character, or its non-urban nature, became the basis for new works that
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4 Hands 4 More Piano Fun II
Throughout his early years, Wolfgang Amadeus Mozart was teamed up with his older sister Nannerl to entertain audiences with music for piano four-hands. And not entirely unexpected, he composed a number of works for himself and his sister. However, once
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Ancient Evocations: Mouquet’s La Flûte de Pan
Jules Mouquet (1867-1946) studied at the Paris Conservatoire and after winning the Prix de Rome in 1896, became a professor at the Conservatoire in 1913. In the early 20th century, Mouquet wrote his lovely flute sonata, La Flûte de Pan.
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The Voice of Nature: Enescu’s Tone Poems
In 1935, Romanian composer George Enescu (1881-1955) started working on what was going to be a symphonic suite entitled Voix de la nature (Voice of Nature). He only completed one movement, Nuages d’automne sur les forêts (Autumn Clouds over the
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