In essence

1706 Posts
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The Cowherd’s Tower
Paul Hindemith and Gertrud Rottenberg I
Paul Hindemith: String Quartet No. 3 in C major, Op. 16 The attentive and regular reader of my “In Love” column has surely come to understand that when it comes to musicians, artists and composers, love might not be the
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A Vision of Eternity
Schubert’s String Quintet
Franz SchubertString Quintet in C major, Op. 163, D. 956(Stern, Casals, Tortelier, Schneider, Katims) (1956) In the autumn of 1822, Franz Peter Schubert (1797-1828), a quiet, shy, gentle and introverted man of short stature, contracted syphilis. Affectionately called “Schwammerl,” a
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“Strangolapreti”
Giovanni Pierluigi Palestrina: Stabat Mater Picturesquely located in a glacial valley on the southern foothills of the Alps, the small town of Trento — also known as Trient — played a pivotal role in deciding the fate of the Roman
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The Old World just exploded!
Hindemith and Brahms
Paul Hindemith was a precocious musical talent. Whatever he touched, he almost instantaneously mastered. He started violin lessons at an early age and was admitted to the Frankfurt Conservatory at age 12. He soon became an accomplished performer on several
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Beethoven and his Op. 2
Ludwig van Beethoven Piano Sonata Op. 2, No. 1 Piano Sonatas Op. 2 No. 2 Piano Sonatas Op. 2, No. 3 Historians and scholars habitually divided Beethoven’s life and work into three periods, a concept that originated with Johann Aloys
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Beethoven’s Immortal Beloved
Beethoven’s love life is a mystery. He wrote a series of passionate letters — a total of 10 pages written in pencil — to a woman, his “Immortal Beloved.” These heartbreaking letters were found after Beethoven’s death. To this day
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Ménage à trois
Verdi and Teresa Stolz II
Giuseppe Verdi: Messa da Requiem, “Agnus Dei” In psychology, empathic accuracy refers to how precisely a person can infer the thoughts and feelings of another person. Contrary to popular urban myth, women do not seem to possess superior empathic abilities
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Plants growing in the wrong climate:
Verdi and his String Quartet
Originally, the term “Grand Opera” meant nothing more than a work that dealt with a serious subject and featured recitatives to separate musical numbers, rather than the dialogue used in opéra comique. By 1830, however, it had come to refer
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