For musicians, trading off stories about conductors is the water-cooler-iest form of water cooler gossip. Tales of incompetence abound, and those who are lucky enough to gain approval are spoken of with respect and appreciation. To an audience, conducting seems

Following my article about Schubert’s Drei Klavierstucke, here is another piano work which I feel is unfairly overlooked and rarely performed, perhaps simply because of its brevity and apparent simplicity. Yet Schubert packs an expressive punch and offers the pianist

If one had to name, from the top of the mind, what the most well-known instruments are, the result would probably be the following: the piano, the guitar and the violin. I have already written about how the piano and

Commemorating all NHS workers who lost their lives during the Covid-19 pandemic In early 2021, the British Medical Association (BMA) opened applications for a commission that would commemorate the lives lost of those who worked for Britain’s National Health Service

Once again, it is time for the annual pick of the most promising opera singers of the new year. But first, like any good stock picker, we need to take account of how last year’s winners fared. Stock pickers would

The great pianist Artur Schnabel famously spoke of his interest in music which was “better than it can be performed”, in particular the works of Mozart, Beethoven and Schubert. In this quote, he expresses why the sonatas of Beethoven, for

The job of a conductor has evolved greatly over the years. From a simple timekeeper, to rehearsal director, to full-blown interpreter, the conductor’s role has no doubt grown in prominence. But how do they do what they do? What’s all

Glenn Gould is my favourite pianist. There, I said it. The reason I like him is because he is unconventional; unconventional in his approach to the stuffy world of classical music, unconventional in his interpretations, and unconventional in his mannerisms.