Having recently given a performance of Prokofiev’s Symphony No. 5, I was reminded how lyrical, intense, and downright wonderful this piece is. With that said, Prokofiev’s music can take some getting used to. I speak from personal experience: it took

Tchaikovsky String Sextet in D Minor Op. 70 Souvenir de Florence was composed in 1890 – a remembrance of the wonderful summer spent in Rome, Florence, and Venice away from harsh Russian winters. Although Tchaikovsky found composing for this complement

At the beginning of Act II of Delibes’ tale of forbidden love in British India, our heroine Lakmé sings a highly virtuosic aria, ‘Où va le jeune Indoue,’ which carries the informal title of The Bell Song. Lakmé produces one

Although the source of the name is clear, the history of the dance itself is not. The Saltarello takes its name from the Italian verb saltare, meaning ‘to jump’, and it was the peculiar jumping step used in the saltarello

It was the hot new instrument in town – eventually combining a seemingly traditional keyboard with the modern valve/tube technology developed in the first world war. Maurice Martenot (1898-1980) developed his ‘Ondes Musicales’ (musical waves) instrument in 1928, first as

In his 1913 children’s book, The Patchwork Girl of Oz, L. Frank Baum added a bit of music criticism into his text. His characters disapprove of classical music, ragtime, and ‘popular’ music, and, in fact, you sense a slight disapproval

In 1944, Leonard Bernstein wrote music for the musical On the Town. It tells the story of three sailors on shore leave for their 24 hours of adventures and romance in New York City. The song “New York, New York,”

After Brahms wrote his two brilliant string sextets, Dvořák, Erwin Schulhoff, Schoenberg, Tchaikovsky, Reger, Rimsky-Korsakov, Franck, Korngold, Martinů, and others followed suit. I’d like to feature two Czech composers’ sextets. Antonín Dvořák (1841-1903) the first of 14 children, showed exceptional