After finishing my three-part series on the philosophy in music, the inquiry into the psychology in music was something I thought that needed to be further fleshed out, also as a three-part series. What I’ve always known is that if

Beethoven: Cello Sonata No. 3 in A major, Op. 69 – I. Allegro ma non tanto (Janet Horvath, cello; Arthur Rowe, piano) I grew up with Beethoven. From my earliest years I remember the scowling white plaster bust on our

Touring is almost an inevitable aspect of many freelance musicians’ lives. Whether it’s a long or short trip away, time spent away from home can quickly take its toll. Lots of short journeys away make home seem like a pit

When the conductor walks on stage everyone has to be tuned and poised for the downbeat. It can come unpredictably fast. You never know if the Maestro will milk the applause for all it’s worth as they step onto the

To fully experience the artistry of Italian soprano Mirella Freni, who died in February at age 84, one must only listen to her rendition of Mimi on Herbert von Karajan’s seminal recording of La Bohème from 1972. Freni’s voice is

Nello Santi, who died on 6 February 2020 in Switzerland, was neither a superstar conductor nor a household name beyond opera lovers. But he was possibly the most consistent, widely cast, and most resolutely traditional opera conductors of his generation.

The adult ‘returner’ pianist I’m a returner pianist – and maybe, if you’re reading this article, you are too and therefore what follows will resonate with you. Or perhaps you are thinking of taking up the piano again after a

Without experience in front of an orchestra, without opportunities to learn the craft, women conductors have had little hope of being hired until very recently. Today conservatories, colleges, and festivals include conducting curriculums, and more women are being accepted into