My music

612 Posts
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Diplomatic Dancing: Széchényi’s Le Château de Celles
Imre Széchényi (1825–1898) grew up in Vienna in fortunate circumstances. His father was chief court chamberlain to the mother of the future Franz Joseph I and Széchényi grew up with Franz Joseph and his brother, later Maximillian I of Mexico.
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Rocking Your Love to Sleep: Brahms’ Lullaby
Johannes Brahms is better known as an instrumental composer than as a song composer, but there are still over 300 songs in his catalogue. In this recording, Karl-Heinz Schütz arranged one of the best known and best beloved of these
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Castles and Kings: Czerny’s Romantic Fantasy No. 3 on Sir Walter Scott’s Ivanhoe
Carl Czerny (1791–1857) had the benefit of a father, Wenzel, who knew everyone in music in Vienna. Wenzel worked in all aspects of music as a pianist, an organist, an oboist, and a singer and he made his money teaching
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Remembering Vienna: Liszt’s Soirées de Vienne
Franz Liszt dipped into the inspirational melody pool of Schubert’s music time and again in his search for creating new sounds for the piano. Liszt wanted to both reproduce the song and, at the same time, make it a pianistic
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Dancing in Spain: Albéniz’s Rapsodia española, Op. 70
Originally created for piano and orchestra, Isaac Albéniz’s Rapsodia española received its premiere with Albéniz as the piano soloist with the Orquesta de la Sociedad de Conciertos, Tomás Bretón conducting, in March 1887. Albéniz’ version for piano four-hands came that
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Delving Deeper: Brahms and Song
Composers of German Lied have the ability, especially starting with Schubert, to bring a deeper meaning to poetry. A poetic reading of Goethe’s Der Erlkönig can convey the voices of the characters, but it’s Schubert’s piano that provides the horse
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Paris in Naples: Auber’s Zanetta
Daniel-François-Esprit Auber (1782–1871) became a serious composer when he hit his 40s. His first grand opera, La Muette de Portici (1828) was also the start of his success. His discrete and nuanced operas, set to the librettos by the dramatic
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The Dance of the Normal Fairies: Sullivan’s Incidental Music for The Merry Wives of Windsor
Sir Arthur Sullivan (1842-1900), whose name is linked almost as one word with that of the librettist W.S. Gilbert for their 14 comic operas created between 1871 and 1896, was, before that partnership, an accomplished composer of many other genres
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