Berlin’s Deutsche Oper, the opera company based in the Western section of the formerly divided city, put on grand opera at its most opulent with Amilcare Ponchielli’s La Gioconda. Rarely performed these days due to the work’s staggering length, large

Humphrey Burton made his first connection with Leonard Bernstein when Bernstein came over to London for the premiere of Candide. It had opened to disappointing reviews in New York three years earlier and the only part of the work that

On 18 and 21 July, Sir Mark Elder conducts concert performances of the world premiere of an opera that was previously thought to have been consigned to oblivion: Donizetti’s L’Ange de Nisida.

Set in 1962, when England was on the cusp of the Swinging Sixties, ‘On Chesil Beach’ by British author Ian McEwan examines the tension between the modern (represented by the male character Edward) and an earlier, more sexually repressed age

In the late summer of their careers, divas like to stake out some territory that ensures their legacy. Maria Callas championed bel canto rarities, Cecilia Bartoli reinvigorated baroque treasures, Joyce di Donato promotes contemporary American Jake Heggie. A cursory overview

The new Lohengrin at the Royal Opera House, a co-production with Opera Vlaanderen, is musically a very fine production. What it lacks, however, is a unifying concept. Neither direction (David Alden), stage set (Paul Steinberg) nor costumes (Gideon Davey) came

Three years ago, bel canto scholar and tenor Kenneth Querns Langley started working on the idea of a Bel Canto Festival and it came to fruition last year. This year will be the second Festival, built around the participation of

P: “May I get a ticket for Emilia-Romagna?” CASHIER: “Emilia-Romagna? Which city?” P: “The city of Emilia-Romagna.” CASHIER: “Signore, Emilia-Romagna is not a city! It’s a region!!” P: “Wow! Really?” Briefly, I refocused. CASHIER: “Milano? Bologna? Reggio Emilia? P: “Ah!