As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: info@interlude.hk We would love to share your classical music experiences with our ever-growing audience. Have you:
heard an intimate church concert or glamorous grand opera lately that you want to write about?
enjoyed an especially meaningful encounter with classical music?
wanted to discuss what studying or enjoying classical music means to you personally?
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Talk about off and running. The Manila-based Ripieno Ensemble only formally launched in January, and its debut performance in February featured an ambitious repertoire: the works of modern-day music stalwarts Schoenberg and Webern as well as those of contemporary Philippine
The Modern Academy, an innovative and intensive short course in music performance and composition, kicked off June 10th in Hong Kong, drawing a talented cohort of local and international students and young professionals.
Scott Ordway would be what you would call an all-rounded musician. As a composer, a conductor, and a faculty member at the Curtis Institute of Music, Ordway is constantly in touch with different aspects of music, from studying and conducting
Clint Needham has a knack for finding interesting material and inspiration in all kinds of places, and it is no wonder the New York Times has described his music as “wildly entertaining” & “stunning… brilliantly orchestrated”. The young composer from
When the Gotham Chamber Opera and the Jarvis & Constance Doctorow Family Foundation presented up-and-coming composer David Hertzberg with the inaugural Catherine Doctorow Prize for Music last year, they called his music “an extraordinarily beautiful sound world with a unique
If he weren’t writing music for a career, Ian Ng would have liked to be a dancer. The New York-based composer has a strong passion for dance, which in turn influences the way he writes music. Ng’s career is still
“I thought if I could play my own work, nobody would know if I played the wrong notes or wrong rhythms.” This was what composer and pianist A-Mao Wang thought, when at the age of 10, her father asked her
Young composer Ruben Naeff made a big move in 2011 when he packed his bags, left Amsterdam and settled in New York, where he became a full-time musician and moved in with his now-wife. That significant year became the inspiration
