Interviews

263 Posts
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The Artist as a Human Being
Kilian Chan of Andante Musica looked at the music business and saw something that others had missed: young Asian musicians needed a niche. In addition, he was struck by the fact that for most of Asia, the foreign musician is
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Luca Bianchini & Anna Trombetta: Fall of the Gods
The Making of the Mozart Legend
In a number of recent publications, musicologists Luca Bianchini and Anna Trombetta have investigated the countless myths and legends that elevated Wolfgang Amadeus Mozart into a singular musical genius. Attempting to set the record straight, the first part of our
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Luca Bianchini & Anna Trombetta: Fall of the Gods
Engaging the Mozart Myth
In the historiography of Western Classical music, Wolfgang Amadeus Mozart is commonly considered an exceptional and singular musical genius. This glowing assessment is partially based on countless myths and legends that have, for a variety of reasons, resisted critical and
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Finding His Own Way – An Interview with Stephan Moore
His is the art you hear but don’t see; he’s the invisible performer behind the sound. Stephan Moore is your man of all audio skills: he’s a sound artist who invents his own speakers, he’s a musician who’s created multichannel
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Writer and Pianist, or is that Pianist and Writer – an interview with Jeremy Denk
Jeremy Denk made one name as a thoughtful and imaginative pianist. He made another name in 2013 when he wrote a piece for The New Yorker on learning to be pianist and his relationship with his most influential teacher, György
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The Melodic Pleasures of Jacqueline Leung
A different kind of album came to our attention the other day – a new recording by Hong Kong pianist Jacqueline Leung, In Sunshine or In Shadow. Instead of the usual compilation of the usual stalwarts of the piano world,
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Finding the Opera Inside
An Interview with Davinia Rodríguez
Spanish soprano Davinia Rodríguez, from Gran Carania in the Canary Islands, is currently in Oman, singing Nedda in Pagliacci. It’s a rare production to have just the one opera, without its usual accompaniment of Cavalleria rusticana, but that means that
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Nemorino in Tokyo – An Interview with Saimir Pirgu
In discussing the wide-range of characters he’s sung and his current role, lyric tenor Saimir Pirgu says he likes the roles where he doesn’t die at the end, contrasting his current role of Nemorino in L’elisir d’amore at the National
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