About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Hong Kong and Doha, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Apr 18, 2020 Summer Fun: Castelnuovo-Tedesco’s Scherzino
Apr 16, 2020 Writing the National Music History
Rimsky-Korsakov’s Russian Easter Festival
Apr 13, 2020 The Different Voices of Spring
Apr 11, 2020 Three Dances in One: Sullivan’s Overture di Ballo
Apr 8, 2020 The Place Where God Resides: Danielpour’s The Passion of Yeshua
Apr 6, 2020 Music and the Plague and Other Dilemmas
Apr 4, 2020 Picturing Home: Braga Santos’ Lisboa Overture
Apr 2, 2020 Modern American Influence: Bermel’s A Shout, A Whisper, and A Trace
Mar 29, 2020 Art and Music: Julian Schnabel and Maria Callas
Mar 28, 2020 The Unheard Serenade: Wolf’s Sérénade italienne