About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Apr 29, 2026 The Orchestra as Omniscient Narrator: Wagner’s Ring Cycle for Orchestra
Apr 28, 2026 Girding One’s Loins for the Battle Ahead
Apr 28, 2026 What To Do with 12 Cellos
Apr 27, 2026 Focusing on the Unusual: Vivaldi’s Concertos for Viola d’amore
Apr 26, 2026 Playing on the Edge: Gustavo Díaz-Jerez’s Metaludios
Apr 25, 2026 If Dogs and Cats Ran the World: John Carbon’s Astro series
Apr 25, 2026 Transcending Sleep: Bach’s Goldberg Variations
Apr 23, 2026 A New Ave Maria
Apr 23, 2026 Finding Betsy: The Orchestral Music of Betsy Jolas
Apr 21, 2026 Love, Death and a Lost Opera: Vivaldi’s La costanza trionfante