About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Oct 31, 2022 Politics Hidden in Music: David’s Le Désert
Oct 30, 2022 Musicians and Artists: Satie and Martin
Oct 29, 2022 Fanfares for the New Century
Oct 28, 2022 Who Got It Right and Who Got It Wrong?
Critics and Composers
Oct 24, 2022 The Cryptic Code: Schumann’s ASCH-SCHA
Oct 21, 2022 Dance, Dance, Dance: The Quadrille
Oct 21, 2022 Schubert in the Hands of Liszt
Tamayo Ikeda’s New Recording
Oct 20, 2022 Musicians and Artists: Musgrave and the Seasons
Oct 18, 2022 A Lighter Touch: Callaghan and Takenouchi on Rachmaninoff Symphony No. 2
Oct 17, 2022 Dueling with Himself: Saint-Georges’ Symphonie Concertante in A major