October, 2018

51 Posts
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CASTELNUOVO-TEDESCO, M.: Cello Concerto / Transcriptions
Cello Concerto, Op. 72 I. Sostenuto ed appassionato From CASTELNUOVO-TEDESCO, M.: Cello Concerto / Transcriptions (2018) Released by Naxos Castelnuovo-Tedesco: Cello Concerto, Op. 72 – I. Sostenuto ed appassionato Inspired by the personality, prodigious technique and musicality of the cellist
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Becoming a Musical Citizen of the World
An Interview With Tanya Bannister
Pianist Tanya Bannister had her career in order – international performer, outstanding reviews of her recordings, leadership of the innovative Roadmaps Festival – and then Concert Artists Guild (CAG) asked her to consider becoming their President. She was familiar with
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Bruckner: Symphony No. 2 in C minor
Premiered Today in 1873
Plagued by crippling insecurities, Anton Bruckner endlessly revised his musical scores, and seemingly allowed outside influences to shape the content of his music. Untangling the relative merits of Bruckner’s various versions and finding a definitive musical text has been a
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The Programming Game: The Nash Equilibrium and New Classical Music
American mathematician John Nash gained recognition as a Nobel laureate but became really famous when he was portrayed by Russell Crowe in the hit film ‘A Beautiful Mind’.
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Strauss: Ariadne Auf Naxos (First Version)
Premiered Today in 1912
Written immediately after the enormous success of Der Rosenkavalier, Ariadne auf Naxos was the third collaboration between Richard Strauss and Hugo von Hofmannsthal. The hilarious plot looks closely at the tension between high and popular culture, by presenting an opera
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Twistin’ the Turk – Igudesman and Joo Move Mozart to Another Part of Asia
The piano and violin duo Aleksey Igudesman and Hyung-ki Joo have given any number of audience members a new way to hear music that could, perhaps, be too familiar.
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Tchaikovsky’s Romantic Music Dedicated to Mezzo-Soprano Désirée Artôt
The Belgian mezzo-soprano Désirée Artôt (1835-1907) studied with Pauline Viardot and Francesco Lamperti in London and in Paris. She started her career at the Paris Opera in 1858 when Giacomo Meyerbeer engaged her to sing in his Le prophète. Berlioz,
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Camille Saint-Saëns at the Piano
For a variety of extra-musical reasons, Camille Saint-Saëns has never been taken seriously as one of the great French composers of the late 19th-century. Historically informed, widely read in the French classics, religion, Latin, Greek, and acquiring a taste for
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