April, 2018

52 Posts
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Katharina Cibbini-Koželuch: Friends with Beethoven
When Leopold Koželuch arrived in Vienna to follow his musical calling, he immediately understood that being a capable musician and composer was not enough to really get ahead.
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Mapping the Musical Genome
The Stamitz Family
When families migrate across linguistic borders, their names frequently undergo a number of significant changes. Just take the Stamitz family, an extended and highly active Bohemian group of musicians, as an example. The spelling of their family name in contemporary
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A Riddle Motet or what was Ghiselin Danckerts up to?
We have a motet by the Dutch composer Ghiselin Danckerts (ca. 1510-1567) that has caused much puzzlement over the years. Originally published in 1535, but now lost, Danckerts’ motet Ave maris stella (Hail, star of the sea), was reprinted and
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Penderecki: Polymorphia
Premiered Today in 1962
I don’t know if you agree, but The Exorcist (1973) and The Shining (1980) are two of the most iconic horror movies ever to flicker across the silver screen. These are all about scary imagery, ranging from a twisting and
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Musical Hunts
For most of human history, hunting meant survival! As such, it’s hardly surprising that civilizations throughout the ages held gods and goddesses associated with the hunt in particularly high regard. Artemis, the daughter of Zeus was the Greek goddess of
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Handel: Serse
Premiered Today in 1738
There was great confusion at the premiere of Handel’s “Serse” at the King’s Theatre, Haymarket on 15 April 1738! I know you are asking yourself why that might have been the case? After all, Handel was setting the London stages
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Capture the Moment: Musicians In the Zone
How does it feel to play that passage of Liszt or that section of Schubert beautifully? Or the grandest measures of Bach? The tenderest Chopin? The most sensitive, haunting Debussy? To plumb the profoundest, most spiritual depths of Messiaen?
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Forgotten Cellists: Laszlo Varga
Hungarian cellist Laszlo Varga escaped war-torn Budapest, and Nazi forced labor, to become principal cello of the New York Philharmonic, a recitalist, quartet player, and revered teacher. He was born in Budapest in 1924, surrounded by music—his father was an
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