May, 2017

43 Posts
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WEINBERG, M.: Symphony No. 17 / Suite for Orchestra
Suite for Orchestra Romance From WEINBERG, M.: Symphony No. 17 / Suite for Orchestra (2016) Released by Naxos Weinberg: Suite for Orchestra – RomanceWith its eloquent themes and ready climaxes, the Suite is one of Weinberg’s most intriguing scores to
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Debussy: Préludes I
A Look at Debussy Piano Music — Preludes Following the model of Bach and his 24 Preludes and Fugues from 1722, Debussy also wrote his own set of Préludes for the piano. Debussy began Book 1 in December 1909, finishing
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Krzysztof Penderecki: Symphony No. 7 “Seven Gates of Jerusalem”
Prague Spring 2017 72nd International Music FestivalClosing Concert: 2 June 2017Krzysztof Penderecki & Prague Radio Symphony For Krzystof Penderecki, born on 23 November 1933 in Dębica, Poland, music is a fundamental and essential part of the human condition. He started
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The Goblin of the Night
Maurice Ravel’s piano piece, Gaspard de la Nuit (1908), hides in its deceptively childlike title a radical piano work of great imagination. The pianist Alfred Cortot called it “one of the most astonishing examples of instrumental ingenuity ever contrived.
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The Limitless Harp: Anaïs Gaudemard
French harpist Anaïs Gaudemard started to play at age 8. Actually, she started on the piano but shortly after starting on keyboards, she met a harp teacher and started to study both instruments. By age 21, she had been awarded
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Why I Love My Instrument
My grandfather played the piano, mostly Methodist hymns and his favourite bits of Bach, Beethoven and Haydn. I suppose I was always aware of it and recall sitting next to him when he played when I was very small. It
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Forgotten Pianists: Morris Rosenthal
It’s always amazing how close the past can be. The Polish pianist Moriz Rosenthal (1862-1946) was one of the leading students of Franz Liszt, who we think of as the height of the Romantic era, and also saw some of
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The Interplay of Art, Music and Dance
“Painting can be a conversation with oneself and, at the same time, it can be a conversation with other paintings” (Jasper Johns, 1989) In this second of two articles I will briefly return to the relationship between Edvard Munch, the
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