Many music lovers only know a few things about Clara Wieck Schumann: that her father forbade her from marrying Robert Schumann, for instance, or that Brahms fell in love with her. But she was more than just a daughter, wife,
Clara Schumann
All too frequently, women composers in history have been made invisible by societal conventions and by unspoken gender bias. Barred from key opportunities and educational chances, female composers have firmly remained in the shadows of their male counterparts. In the
Clara Wieck-Schumann (1819-1896) is considered one of the most talented and distinguished composer-pianists of the 19th Century. In an era when women, apart from singers, almost never performed in public or composed music, Clara did both. Although blessed with outstanding
“I once believed that I possessed creative talent” Clara Schumann née Wieck, (1819-1896) was born in Leipzig, daughter of Marianne and Friedrich Wieck. Friedrich established a successful music business, and Marianne was a gifted musician appearing as a piano and
Robert Schumann spent the last two-and-a-half years of his life in a private psychiatric hospital in Endenich. His medical records were discovered in 1991, and first published in 2006. They contain daily entries documenting treatment—including shielding from stimuli, physical procedures,
Robert Schumann, Clara Schumann, and Johannes Brahms are surely the most famous love triangle in the history of Western music. Details of the courtship, ensuing legal troubles and the eventual marriage between Robert and Clara are well known.