Many choirs are defined by their chorusmaster, and this is certainly the case with the Robert Shaw Chorale. Shaw is still cited as the man who redefined the role of symphonic chorus master for the modern age. His own group, founded in 1948, was probably the best-known professional choir in the United States and perhaps the world during its existence. While Shaw went on to great things with the Atlanta and Cleveland symphonic choruses, his Chorale set the standard for what a well-drilled and finely tuned choral ensemble could do.
Robert Shaw: Choral Music (Robert Show Chorale and Orchestra)
While Shaw’s choir only had a lifespan of about 20 years, the Choir of King’s College, Cambridge has been going for almost 600. Since its founding in 1441, it has sung the daily round of services in the college chapel almost without interruption. In doing so, it has become the standard-bearer for the great British choral tradition, in which all-male choirs (with boy trebles singing the top line) sing daily services in dozens of churches across the world. King’s is a good example of the power of media, too – it began to reach a global audience with the television and radio broadcasts of its annual carol service, which is heard by millions every year.
Bach: Herz und Mund und Tat und Leben, BWV 147: Jesu Joy of Man’s Desiring (Choir of King’s College, Cambridge)
If King’s leapt to fame through broadcast media, The Monteverdi Choir and its founder Sir John Eliot Gardiner took advantage of the explosion of the recording industry to become the world’s most renowned choir. Its recordings of the great oratorios of Bach in particular came to define the movement known as Historically Informed Performance, playing and singing music of the Baroque and Renaissance periods as they would have been performed in their composer’s lifetime. The sound of ‘The Monte’s’ is electric – full-blooded, vivid and instantly recognisable.
Mozart: Requiem in D minor, K626 | Gardiner
The Swingle Singers/”Fugue” from Fantasia and Fugue, BWV 542, G minor (Bach)
Rachmaninov: Lord’s Prayer (The Tallis Scholars)Our final group, The Hilliard Ensemble, was formed around the same time as The Tallis Scholars and have just retired from the concert stage after 40 years on the road. This group of just four male singers reaches back even further for their repertoire, to music by composers like Perotin, Leonin, and Dufay. They also worked closely with Estonian composer Arvo Pärt and helped to bring his music to a worldwide audience. Many people will have heard the group through ‘Officium’, their collaboration with saxophonist Jan Garbarek, which combines the beauty of Medieval choral music with the expression and flexibility of modern jazz improvisation – and sold a mere 1.5 million records.
Jan Garbarek and the Hilliard Ensemble – Parce Mihi Domine
So there you have it – a whistle-stop tour through some of the groups that have defined choral music, almost all whom have created a lineage of choral excellence. The achievements of King’s College have inspired other groups in Oxford and Cambridge, for example, the Swingles other groups like Chanticleer and The Tallis Scholars groups like The Sixteen and the Gabrieli Consort. And of course there’s no space for any symphony choruses, opera choruses, and the many amazing youth and amateur choirs that cover the globe.
As ever, do tell us who we’ve missed out. Singing is growing in popularity the world over, and I’m sure in a hundred years the great choirs of the 21st century will make for interesting reading!