The woodwind’s bass support is the mighty bassoon. Another double-reed instrument like the oboe, the bassoon need to be a long wood wind in order to get the low notes and is designed rather folded back on itself in order to achieve that length.
If you look at the picture, you’ll see that there are actually two pipes that meet at the bottom of the instrument. The overlapping construction means that the keys can be placed within each reach for ease of playing. Folded upon itself, the bassoon stands 4 feet, 5 inches (1.34 m) tall, but the total sounding length is 8 feet, 4 inches (2.54 m).
The regular bassoon is often doubled an octave lower by the contrabassoon. The length is around 18 feet (550 cm) and to make the length manageable, the instrument is folded back on itself twice, rather like a paper clip in contrast to the bassoon’s hairpin shape. The instrument’s first major appearance in the orchestra came through Beethoven’s Fifth Symphony.
Edgar Degas put the bassoon at the centre of his 1868 painting L’Orchestre de L’Opera.
As with other instruments of the orchestra, the prominent players are orchestral members, so we won’t list any here, but you can explore their orchestral repertoire and get a taste of how many different ways composers used this warm bass sound.
Looking at a range of works, we see the bassoon being used in Bartók’s Concerto for Orchestra to start the second movement, the Game of Pairs.
Bartók: Concerto for Orchestra, BB 123: II. Giuoco delle coppie: Allegretto scherzando (Philadelphia Orchestra; Christoph Eschenbach, Conductor)
In Paul Dukas’ work so widely known through Disney’s Fantasia, The Sorcerer’s Apprentice’s main theme makes its first appearance in the bassoons (starting 02:56).
Dukas: The Sorcerer’s Apprentice (French National Orchestra; Leonard Slatkin, cond.)
Edvard Grieg’s masterpiece, In the Hall of the Mountain King, comes from his incidental music for the play Peer Gynt. The music from Peer Gynt was collected into two suites and it’s the last movement of the first suite where the bassoons make their appearance and the whole work grows from that initial creeping theme.
Grieg: Peer Gynt Suite No. 1, Op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King) (BBC Scottish Symphony Orchestra; Jerzy Maksymiuk, Conductor)
Modest Mussorsky’s piano work Pictures at an Exhibition was orchestrated by a number of different composers, but it is in Ravel’s orchestration that we find prominent use of the bassoon in the second picture, The Old Castle. Its singing tone is a wonderful showpiece for the bassoon’s qualities.
Mussorgsky: Pictures at an Exhibition (arr. M. Ravel for orchestra), II. The Old Castle. (St. Petersburg Mariinsky Theatre Orchestra; Valery Gergiev, Conductor)
Two last bassoon solos convey such different pictures that they are worthy of mention. Sergey Prokofiev’s Peter and the Wolf uses the bassoon to convey the majesty of Peter’s stern grandfather, but at the same time, is able to convey his affection for his wayward charge.
Prokofiev: Peter and the Wolf, Op. 67, Grandfather’s theme (David Bowie, narrator; Philadelphia Orchestra; Eugene Ormandy, Conductor)
The opening of Stravinsky’s Rite of Spring is for solo bassoon, but in such an unusual high register that the sound had audiences craning to see what instrument was producing that mystical sound. The countermelody in the English horn reinforces the oddity of the sound.
Stravinsky: Le sacre du printemps (The Rite of Spring): Part I: Adoration of the Earth: Introduction (BBC National Orchestra of Wales; Thierry Fischer, Conductor)
The bassoon is one of the unusual bass instruments that has a significant solo repertoire within the orchestral world. As we’ve heard through these examples, the sound can be haunting, loving, majestic, and even funny, but inimitably bassoon-ish.
- Instrument of the Orchestra XIV: Other Now that we’ve had a complete tour of the orchestra with a look at all the principal instruments, we can do one last look at the rarely-used instruments that are called for by composers.
- Instruments of the Orchestra XIV: Percussion These might be thought of as the best toy-set in the world: things to bang, things to crash, things to ring, things to thump, and it’s all music!
- Instruments of the Orchestra XII: The Tuba The youngest instrument added to the orchestra is also the largest. At the bottom of the brass section, providing the support to carry all those other brass and wind instruments is the tuba.
- Instruments of the Orchestra XI: The Trombone The trombone, or large trumpet (Tromba= trumpet, -one= suffix meaning ‘big’) in Italian
- In Memoriam: Leon Fleisher (1928-2020) “The purpose of music is to communicate from the heart to the heart”
- The Newest of the New: The Hermes Experiment Discover their latest album and the ensemble's background!
- Live From London – A Choral Festival Borne Out of the Pandemic Online live performances by VOCES8, The Swingles and more!
- Nikolai Kapustin – “Classical Jazz” How Kapustin incorporated jazz vocabulary into traditional forms