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Edita Gruberová
No Short Cuts in a Very Long Career
Gaetano Donizetti‘s rarely performed masterpiece Roberto Devereux screams out for a truly great soprano as the Tudor Queen Elisabeth I. Certainly the most successful Donizetti opera commissioned by the great impresario Domenico Barbaja (in 1837), the work was largely forgotten
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Storming the Bastille
Cilèa’s Adriana Lecouvreur in Paris
Since August 2014 the Opéra National de Paris has a new impresario, Stéphane Lissner. The Parisian returned to his hometown after a successful stint as the first non-Italian to run La Scala, Italy’s premier opera house.
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Mozart & Shostakovich
A Review by Yeung Man Lok Anson
On 15th May, The Hong Kong Philharmonic Orchestra performed Mozart Piano Concerto No.18, with pianist Jean-Efflam Bavouzet and Shostakovich Symphony No.11, The Year 1905 conducted by Case Scaglione.
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A Norma is born.
(30 April 2015)
The iconic egg-shaped structure of Beijing’s National Centre for the Performing Arts (NCPA) sits forbiddingly surrounded by a man-made lake. It’s easy to miss the entrance ramp which leads to the box office lobby, the electronic ticket readers and the
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HKPhil in London
A full house at London’s Cadogan Hall greeted the Hong Kong Philharmonic last week for their performance of music by Fung Lam, Beethoven and Prokofiev as part of the hall’s 2014-15 International Orchestra Series. In London’s crowded concert schedule, the
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Verdi’s Macbeth
(Berliner Staatsoper im Schillertheater – 22 February 2015) It’s just another Sunday night in February at a Berlin opera house: Wolfgang Schaeuble, German Finance Minister, sits in the stalls with his wife and without visible security two days after negotiating
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Der Fliegende Holländer
ROH, February 17, 2015
Richard Wagner’s Der Fliegende Holländer (The Flying Dutchman) is an opera with unusually extensive chorus segments. And Director Tim Albery’s production at the Royal Opera House puts the chorus to unusually good use. Enthusiastic, dramatically intense and vocally polished, this
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LSO/Rattle/Deranged Ligetian Soprano
At a time when rumours of Sir Simon Rattle returning to the UK, no less to head the London Symphony Orchestra, were running thick and fast, it was no surprise that I found myself in a sold-out Barbican Hall, preparing
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