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Behind the Curtain
Philip Eisenbeiss: Bel Canto Bully. Haus Publishing Ltd. 2013
He was a drunkard, a nearly illiterate loudmouth, and a serial womanizer with a natural gift for seemingly endless self-promotion. He strong-armed and bullied his way to personal fame and fortune by building a gaming syndicate, and intuitively and prosperously
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Hoyotoho to the Hong Kong Philharmonic: Die Walküre
One year after the launch of the Hong Kong Philharmonic Orchestra’s Ring Cycle, Music Director Jaap van Zweden brings us Die Walküre (the Valkyrie), the second installment of Richard Wagner’s monumental opera tetralogy.
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Sizzling Sicilian Sagas
Cavalleria Rusticana and Pagliacci at the Royal Opera House
The Royal Opera House delivered a remarkably gripping new production of Cavalleria Rusticana and Pagliacci by Damiano Michieletto. The Italian directorial wunderkind unified the verismo double bill, setting the operas in the same Mezzogiorno village where some characters from both
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Pesaro: Beach resort meets world class opera
Rossini Opera Festival
A tacky Italian beach resort in the heat of the summer holiday and a moderately quaint old town with a strong operatic tradition make an odd contrast. Yet Gioachino Rossini’s hometown, Pesaro on the Adriatic, hosts a longstanding opera festival
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Salzburg shines with no-name ensemble: Nozze di Figaro
Every now and then the Salzburg Festival puts on a performance of such perfection, we are reminded how this festival became the leading operatic summer event in Europe. This year’s new production of Mozart’s Nozze di Figaro (Marriage of Figaro)
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Fidelio in Salzburg: Matrix, mediocrity and musical brilliance
A highlight of this year’s Salzburg Festival was a new production of Beethoven’s only opera, Fidelio. It was largely deemed a vehicle to show off leading German tenor Jonas Kaufmann at his vocal and artistic zenith. And indeed, he did
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Edita Gruberová
No Short Cuts in a Very Long Career
Gaetano Donizetti‘s rarely performed masterpiece Roberto Devereux screams out for a truly great soprano as the Tudor Queen Elisabeth I. Certainly the most successful Donizetti opera commissioned by the great impresario Domenico Barbaja (in 1837), the work was largely forgotten
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Storming the Bastille
Cilèa’s Adriana Lecouvreur in Paris
Since August 2014 the Opéra National de Paris has a new impresario, Stéphane Lissner. The Parisian returned to his hometown after a successful stint as the first non-Italian to run La Scala, Italy’s premier opera house.
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