Four years have passed since the music world discovered Lucas Debargue at the 15th Tchaikovsky Competition. His peculiar path to music has created a new, different perspective on piano art. The conversation took place at the Riga Jurmala Music Festival,

The longer I live, and the more music I hear, I become further convinced that the string quartet offers the greatest musical experience. This year, I have been lucky enough to see and hear perhaps the best two string quartets

Classical Music is obsessed with greatness, especially amongst critics, audiences, and pedagogues who constantly seek to define “greatness” in musicians and composers, and there are innumerable lists, rankings and recordings of great composers and artists, concertos, symphonies et al. Schumann:

In the path of Ives, Johns and Kaftka, I alternate my life between music and hospitality; prevention being better than cure. I decided a couple of years ago to pick-up a day job and start a parallel career in hospitality—allowing

The classicist painter Anselm Feuerbach was one of the artists who formed a close friendship with Brahms, and who was often compared to him. He sought in his art to both follow a stringent aesthetic and a Classical restraint, while

Too often it seems that we view learning, studying, practising and performing music as a kind of fight. People talk about “doing battle with Beethoven” or “fighting the fear” (of performing) as if one must take up arms against unseen,

Morton Gould (1913-1996) was never afraid to mingle popular and classical styles. Equally at home with a symphony orchestra, musical comedy, film music, jazz and popular music, musical eclecticism became a hallmark of his compositional style. He once said, “I