Olivier Messiaen’s monumental and profound work Vingt Regards sur l’enfant Jésus (Twenty Gazes on the Infant Jesus) surely ranks amongst the “greats” of the piano repertoire, standing shoulder-to-shoulder with such titans as Bach’s Well-Tempered Clavier and Beethoven’s 32 Piano Sonatas

Monique Haas (1909-1987) received the Premier Prix in 1927 from the Paris Conservatoire before going on to study privately with Rudolf Serkin, Georges Enescu and Robert Casadesus. As was common with most French pianists of her generation, she was an

Two of the world’s most outstanding talents – Daniil Trifonov and Rafal Blechacz were featured earlier this month in the South China Morning Post. The article was meant to alert Hong Kong audience to their imminent recitals in late September

If you have been reading my miniseries on the shenanigans of abusive parents beating their children to musical stardom, this little story will probably restore your faith in humankind. I am talking about the pianist, violinist and composer Alma Elizabeth

It is often a great mystery what people, works, and instruments remain in the minds of those who enjoy classical music. Even in the very small world of saxophonists, there are certain legends which take hold and others which fall

Bringing Bach to the 20th century was the fame of Swiss pianist Edwin Fischer (1886-1960). After first studying music in Basel, Switzerland, he went on to attend the Stern Conservatory in Berlin, where he studied with Martin Krause, one of

Olivier Messiaen’s eight Preludes for piano were published in 1929, the year he won the first prize for composition at the Paris Conservatoire. Debussy’s own Preludes were less than twenty years old at the time, and the influence of these

Lucette Descaves (1906-1993) was a student of Marguerite Long’s at the Paris Conservatoire, her students, in turn, were equally distinguished, including the young Michel Legrand, and, Jean-Yves Thibaudet, Pascal Rogé, and Katia and Marielle Labèque. After she retired from the