The recent lockdown has seen a rise in videos from confinement, with musicians reaching out and putting things out to entertain, soothe, comfort and connect with their audiences during this period of isolation and uncertainty. Thinking of making your own

Horse races run on empty courses, Premier League football matches played in cavernous deserted stadia, tennis tournaments played “behind closed doors”, concerts performed into a void of silence. Without the roar of the crowd, the cheering and the applause, the

Following the success of their ‘Live From Home’ online performances and workshops, the VOCES8 foundation are launching a new online festival in response to the coronavirus pandemic: Live From London. The festival, featuring weekly concerts from 1 August to 3

Of all the piano sonatas to choose, from the wit of Haydn, the elegance and chiaroscuro of Mozart, the poignancy of Schubert, Chopin’s restless romanticism, Rachmaninoff’s Russian heart, the biting narrative of Prokofiev’s War Sonatas, and many, many more which

The passing of Nikolai Kapustin is undoubtedly a great loss to the classical music world. He had remained largely obscure until the recent decades, thanks to Steven Osborne and Marc-André Hamelin’s recordings on Hyperion in the early 2000s. Since then,

I love to be able to play badly alone – pianist Mitsuko Uchida (from an interview with journalist Joshua Barone) Schubert: Piano Sonata No. 21 in B-Flat Major, D. 960 – IV. Allegro ma non troppo (Mitsuko Uchida, piano) Confined

Playing chamber music has always been a great joy. Now more than ever, chamber music has become the essential genre for musicians. During these challenging times, while we avoid large gatherings, musicians have realized we must re-imagine concerts and performing.

My work in Britten Sinfonia frequently involves playing second clarinet parts, yet elsewhere (like many wind players) I move between second and principal positions. I get asked if I enjoy one more than the other, and the honest truth is