Blogs

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On My Music Desk……
Ravel – Tombeau de Couperin
Popular in concert programmes and a staple of the pianist’s repertoire, Ravel’s Tombeau de Couperin is the last work he wrote for solo piano. It cleverly melds his sensibilities with a full appreciation of his Baroque antecedents, notably the brilliant
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Listen to the Best of Baroque Music This Christmas!
It’s going to be a very different Christmas this year. That stupid Corona virus is everywhere, and so many things we associate with the Christmas season won’t happen. There won’t be much mall shopping, meeting with friends, dining or partying,
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Reconverted Musicians
How Working in a Different Art Field Shaped These Composers’ Music Uniquely?
While some composers are famous for having previous non-musical careers — the most recent and famous example being Glass, who has been amongst others, a taxi driver, a mover and a plumber. However in many of these cases, the primary
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Challenging Technical Perfection
“my jump is not high enough, my twists are not perfect, I can’t place my leg behind my ear…..Sometimes there is such an obsession with the technique that this can kill your best impulses. Remember that communicating with a form
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Pavel Kolesnikov at Wigmore Hall
26 October 2020: ‘The Tempest’ This concert will be live streamed on the Wigmore Hall website in HD, and all concerts in the Autumn Series will be available on demand for 30 days after the date of the concert. This
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Finding the “Essence of Bach”
How a lifelong love of Bach led this pianist to transcribe the complete solo cello suites “Bach first became my beacon when I was about 10 years old. I remember sneaking a peek at my piano teacher’s notebook and seeing
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My Journey Through Classical Music
I have to say, it is rather uncommon for people of my age to be classical music aficionados. I was not born into a musical family and neither of my parents learnt classical music. There wasn’t much music in my
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When Music May Not Be Your “First” Profession
At the risk of sounded clichéd, the coronavirus pandemic has thrown into sharp focus the precarious nature of most professional musicians’ lives. With concert and opera venues closed – and only now beginning to reopen cautiously – many musicians are
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