Blogs

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Listening to Recordings When Practising: Useful, or a Thing to Avoid?
Many musicians or students start learning a piece that inspired them when they heard it at a concert or on the radio. Some famous pieces have been recorded hundreds of times, and with streaming services and YouTube out there for
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The Stag Hunt
I Fagiolini
It is always a distinct pleasure to learn of a new release by the celebrated vocal ensemble I Fagiolini. In a substantial number of CDs and short films the ensemble has deliciously probed the frequently quirky imagination of artists and
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The Out of Tune Pianos of Lockdown
Soon after the first UK lockdown began in March 2020, videos began appearing online of people playing their pianos in their homes. Often these home performances – more playing for oneself than for others – were prefaced by an apology
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The Creativity of Laziness
Given the context of 2020, many composers and artists have regretted not having created more; having been given the gift of time and not making the most of it. While there are many reasons for a lack of creative result,
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When Is a Sold Out Concert Not a Sold Out Concert?
Answer:When it’s a socially-distanced concert I’ve been guilty of it myself, proudly trumpeting “this concert is now sold out!” for the events I have been promoting last year in September and October (I work for a London-based arts organisation and
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What Might 2021 Bring for Classical Music?
2020 was the year of silent concert halls and shuttered opera houses and theatres. Yet the music played on, as musicians, ensembles, orchestras and venues were determined to continue to offer performances via livestreams and video casts, and, when possible,
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The MAYA Principle
Raymond Loewy is a famous industrial designer, responsible for some of the most famous designs of the 21st century; the Coca-Cola bottle, the Shell Oil logo, the US Postal Service logo etc. His approach to design is well-known under the
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Khatia Buniatishvili
“Beyond the Eccentricity of Planet Pogorelich”
One of the most visually glittering pianists today, Khatia Buniatishvili steadily appears on television sets, front covers of glossy magazines and every imaginable social media outlet. She certainly attracts attention; on the cover of a recent Schubert release, Khatia takes
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