“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
Paul Klee (1879-1940) craved the freedom to explore radical and modernist experimentations in his paintings. In music, however, he could never come to terms with contemporary works of Schoenberg, Berg and Webern. In fact, he even disliked the compositions of
After Kandinsky’s and Schoenberg ground-breaking endeavors, many artists in France, Italy and Russia started to follow different paths — all towards abstraction.
If you come to Vienna as a tourist, you’ll have to visit Schönbrunn Palace. It’s unlikely that you will see all 1,441 rooms—most of them lavishly decorated—but the complex will certainly give you a sense of the splendor and lifestyle
“Must we not then renounce the object altogether,throw it to the winds and instead lay bare the purely abstract?”Vasily Kandinsky, 1911 In the early years of the 20th century the relationship between the arts and music was at its closest
‘Comme de longs échos qui de loin se confondent…. Les parfums, les couleurs et les sons se répondent’ (As long echoes confound from afar….perfumes, colors and sounds respond to each other’) Charles Baudelaire, ‘Correspondances’ The recent exhibition at the Sackler
One of the most eagerly encoded images in a number of different cultures and contexts is the angel sitting on a cloud and playing the harp. What could be more comforting upon leaving this earthly realm than being greeted by
Violins, guitars, mandolins, music sheets and references to classical composers are very much part of Braque’s oeuvre, particularly during his analytic and synthetic cubist period, which essentially started in the early part of the 20th century and lasted well into
Last month’s article focused on the impact of the Great War on musicians, artists and writers in France –today I will focus on its impact in Germany and Austria.
