Qui n’aroit autre deport – Lai Tels rit au main qui au soir pleure – Complainte Joie, plaisence et douce norriture – chanson roial En amer a douce vie – Rondelet Dame de qui toute ma joie – Ballade Dame,

To become a successful performer takes more than raw talent, someone to mold that talent and diligent practice. If you’re lucky, as I was, on the road to becoming a musician you encounter in addition to a good teacher, musical

The Second Vatican Council, colloquially known as “Vatican II” and held in the early 1960’s, sought to address the relationship between the Roman Catholic Church and a society living in a modern and industrialized world. Bishops around the world had

These words would commonly be heard issuing from the mouth of the composer at a rehearsal for one of his pieces. And if you’ve ever heard the music of Morton Feldman, you’d probably understand why. Feldman’s music is more often

During my time at Cambridge, I was lucky enough to get many opportunities to play in both chamber music and orchestral projects. Now, on the brink of beginning a masters course devoted to orchestral playing, I’ll have a chance to

From The Mozart Effect to The Cage Effect Perhaps you didn’t realize that if your child or student listens to classical music then they might exhibit some of those character traits! Teachers especially like #13 – The Cage Effect! Does

There’s one word that many musicians fear, a word that strikes terror (or boredom) into their hearts. Of course, I can only be talking about practice. Why do we hate it so much? It’s a necessary part of every musician’s

Antonín DvořákCello Concerto in B Minor, Op. 104, B. 191Mstislav RostropovichMoscow Radio Tchaikovsky Symphony Orchestra When I was a student I would often sneak into the Toronto Symphony Orchestra concerts. My father, who was a member of the cello section,