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Forgotten Pianists: Heinrich Neuhaus
The noise of the new so often pushes the old out of our sight that often it’s a good idea to go back and see what we might have missed or forgotten. Today, we’re looking at the influential Heinrich Neuhaus.
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Musical Giants of the 20th Century: Organists
Although we primarily associate the pipe organ with liturgical and/or religious use, the “Queen of Instruments” was originally part of the gladiatorial games in Rome! Parades and subsequent gory events were often accompanied by music, featuring curved horns and organs.
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V is for Virtuoso
Going beyond the notes …a virtuoso was, originally, a highly accomplished musician, but by the nineteenth century the term had become restricted to performers, both vocal and instrumental, whose technical accomplishments were so pronounced as to dazzle the public. ‘Music
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Musical Giants of the 20th Century
Historically Informed Performances
What do you get when you enrich the subjectivity of artistic interpretation with the objectivity of scholarly study? In terms of terminology you get “historically informed performances.” However, in philosophical terms you get one of the most contentious topics since
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Mysteries of the Sustain Pedal
“The more I play, the more I am convinced the pedal is the soul of the pianoforte!” Arthur Rubinstein “….abusing the pedal is only a means of covering up a lack of technique, and that making a lot of noise
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Musical Giants of the 20th Century: The Art of Lieder (Female Interpreters)
When we talk about giants among the female Lieder interpreters of the 20th century, we really must start with the great Polish soprano Marcella Sembrich (1858-1935). Sembrich performed for Liszt, and after studying in Vienna and Milan, secured long-term contracts
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Gesture in Piano Playing, Part 2
In my previous article on gesture, I talked about the physical gestures we can employ to influence and enhance the quality of our sound and how we can create certain effects at the piano, such as staccato, a rich cantabile
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Gesture in Piano Playing, Part 1
In the dimmed lights of the concert hall the pianist crouches, cat-like, over the piano. His hands swoop across the keyboard in a blur of movement, he sways maniacally from side to side before throwing back his head and raising
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