“Wise artists seek out critical evaluations.” –The Musician’s Way As musicians it is important for us to receive endorsement for our work. This may come from teachers and mentors, colleagues, friends and family, critics and audience members: whatever its source,

It’s a sunny afternoon in Delhi and I am wandering around the Qutub Minar with my cousin sister, who asks me about the origins of the minaret. Before I can answer, a confident voice pipes in and prattles off the

Greek pianist Gina Bachauer (1913-1976) started her studies at the Athens Conservatory before attending the Ecole Normale de Musique to study with Alfred Cortot. In Paris, she was also able to study with Rachmaninov. Her professional debut was made at

The Hong Kong Music Series is part of a wider series of events marking the twentieth anniversary of the transfer of sovereignty of Hong Kong from the United Kingdom to the People’s Republic of China. The Hong Kong Special Administrative

A substantial number of classical music lovers have probably never heard the term “musique concrète.” It was coined by the French experimental musician and composer Pierre Schaeffer in 1948, and describes electroacoustic music that uses natural sounds—not electronically generated tones—as

Before the advent of the phonograph in 1877, it wasn’t possible for people to play sound that had been recorded. The phonograph (a portmanteau word created from two Greek roots: (phone, “sound” or “voice” and graphē, “writing”) was preceded by

Music is the only field of study that requires regular and extended one-to-one interaction between student and teacher. The student-teacher relationship is a very special one, based on mutual trust and respect. Young students are often hungry for knowledge and

Magda Tagliaferro (1893-1986) was born in Brazil to French parents and learned piano from her father, who had studied at the Paris Conservatoire with Raoul Pugno. With the encouragement of Pablo Casals, Magda also attended the Paris Conservatoire, entering it