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Paul Lewis at Wigmore Hall
9 December 2020: Haydn and Beethoven This concert will be live streamed on the Wigmore Hall website in HD, and all concerts in the Autumn Series will be available on demand for 30 days after the date of the concert.
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Truck Concerts, Drive-in Concerts: Creativity and Innovation in the Time of Covid
Symphony orchestras perform some of the greatest music ever created by mankind. Nonetheless, negative labels have been hurled at these bastions of classical music, accusations such as—they’re like an albatross, slow to embrace change; they uphold antiquated traditions and formats;
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Musicians – Enough With the Servility
Part 1: The Dress Code
A while ago, I read an interesting story about the evolution of the performance dress code for musicians. It stated that the tradition of black-tie formal wear in classical music harks back to the Victorian era, where manservants and butlers
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Doric String Quartet at Wigmore Hall
7 December 2020: Mozart, Britten This concert will be live streamed on the Wigmore Hall website in HD, and all concerts in the Autumn Series will be available on demand for 30 days after the date of the concert. This
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My Beethoven by Anson
Unlike others, I often find it difficult to recall my first encounter with a certain composer. So, for Beethoven, it could have been his Für Elise, Symphony No.5 (ta-ta-ta duh) or something else – I don’t know. But anyways, as
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That’s “My” Music!
How often a listener returning from a recital by an important performer remains unsatisfied. Not because of the imperfection of the artist’s playing but because of lack of penetration into the composer’s ideas – ideas that the amateur has cultivated
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The Title Is a Lie: Chopin’s Minute Waltz
Chopin was inspired by the antics of a small dog chasing its tail to write his Waltz No. 6 in D-Flat Major, Op. 64, No. 1. His publisher, Breitkopf & Härtel, added a title on it to let people know
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Quantity Creates Quality
The saying goes this way, quality over quantity. But what if the saying was: quantity creates quality? What if instead of focusing on one or the other, one would lead to the other? In order to grow, a composer —
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