American cellist Leonard Rose, born in 1918, came by his talent honestly. His father was a cellist, as was his cousin Frank Miller, the legendary principal cello of the Chicago Symphony, with whom Rose studied before he attended Curtis Institute

As the year approaches its end, it’s customary for the press to list their most impressive musical moments of the year. An old cliché as it may seem, a round up nevertheless offers an insightful glimpse into the chaotic and

What an extraordinary year! Some of the well guarded secrets that have long been circulating in the shadow of the operatic spotlight as sheer “rumours” before, were revealed for the first time to the general public. It followed a Me

By 1918, the century-old Franco-Belgian traditions of violin and organ studies, developed at the Paris Conservatoire, had undergone modifications that helped consolidate their tenets, empower their disciples, and spread their influence worldwide, to this day.

There is a great tradition of prelude writing which stretches back to J S Bach, and beyond to the Renaissance, when musicians would use an improvisatory Praeludium (Prelude) as an opportunity to warm up fingers and check the instrument’s tuning

Affectionately known as “Dima” to his family and closest friends, Dmitri Hvorostovsky commanded the operatic stage with his smoldering good looks and one of the most distinctive voices of his time. His velvety yet dark-grained baritone timbre, seamless legato and

The artistic destinies of those who lived through the cultural ferment in France between 1870-1939, form an interlocking web of cross- influences and political intrigue which can be difficult for the historian to unravel.

The piano study or ‘Étude’ has long engaged and challenged pianists, and the practice of writing Études to provide practice material for perfecting a particular pianistic technique, such as playing octaves, thirds or rapid scalic passages, developed in the early