About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Aug 18, 2014 “I drink, therefore I am”
Modest Mussorgsky
Aug 14, 2014 Presentation of the Rose
Richard Strauss: Rosenkavalier Suite
Aug 11, 2014 The Morbid Compulsion of Anton Bruckner
Aug 8, 2014 Boneless Preludes and Greetings to the Goat
Erik Satie and Suzanne Valadon
Aug 6, 2014 Mazeppa: Endless Battles for Ukraine
Aug 4, 2014 Alexander Grechaninov
Russian Devotion and Spirituality
Jul 31, 2014 Salzburg Festival
It’s not for “Jedermann”!
Jul 29, 2014 What’s “English” about Bach’s English Suites?
Jul 28, 2014 Between Mahler and Gropius
Oskar Kokoschka and the Alma Doll
Jul 27, 2014 Pimp my Schimmel