May, 2015

54 Posts
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A Norma is born.
(30 April 2015)
The iconic egg-shaped structure of Beijing’s National Centre for the Performing Arts (NCPA) sits forbiddingly surrounded by a man-made lake. It’s easy to miss the entrance ramp which leads to the box office lobby, the electronic ticket readers and the
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Rebound from a Break Up
Béla Bartók and Márta Ziegler
When Stefi Geyer rejected Béla Bartók’s proposal of marriage, the composer fell into a deep depression. Unable to sleep, he lost his appetite and obsessed with not being able to attain something he truly desired. And for many years to
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Béla Bartók: Discovering his musical voice
Béla Bartók (1881-1945) was one of the most influential figures in the history of classical music. Composer, performer, educator, and ethnomusicologist, Bartók’s powerfully shaped the way subsequent generations approached and listened to music. Born near the Hungarian city of Nagyszentmiklós,
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Getting Lost in the Hyphenation and Accents
The death of the bass-baritone John Shirley-Quirk in April 2014 and the story in Times obituary about the problems caused by his name got us to think of other mistaken performers and composers. The New York Times obit gave us
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János Starker Remembrance Week: Starker’s Two Grandchildren Remember Grandpa
By Alexandra Preucil Assistant Concertmaster Cleveland Orchestra For as long as I can remember, family gatherings have been synonymous with music making. Sometimes this took place in fancy concert halls, but more often than not, my family would simply come
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Cadenzas and Creativity II: Mozart Piano Concerto No. 20
One of the essential things about music is how it’s so hard to pin down, so hard to fix in time, and so hard to be definitive about. In looking at cadenzas, those virtuosic flourishes that appear in concertos, we
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When West is East
The Cowboy Music of Ennio Morricone
It’s odd, when we think about it, that when we think of music for cowboy movies, we think of movies made in Spain by an Italian director with an Italian avant-garde trumpet player as composer. Ennio Morricone’s film music written
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Instruments of the Orchestra VII: The Clarinet
If we think of the flutes as the air above the woodwind section and the oboes as the kind of nasal-sounding brain, then the heart of the section has to be the clarinet. Unlike the oboe, which is a double-reed
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