April, 2015

54 Posts
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The Character of a Basso: An Interview with Riccardo Zanellato
Italian basso Riccardo Zanellato will join Sumi Jo and Elīna Garanča in the Fifth Anniversary Gala of the Guangzhou Opera House in May. This isn’t his first appearance in the region, having sung in Hong Kong and Taipei in the
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Béla Bartók
Art is a matter of evolution, not revolution 70 years ago, the world completely ignored the passing of one of the most creative and influential composers of the 20th century. Béla Bartók (1881–1945) originally hailed from the Hungarian town of
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Bösendorfer
Carrying the Coat of Arms of Austria
Every pianist knows that the standard grand piano has an 88-key keyboard! And in general, this assumption is certainly correct. However, if you stumble across the Bösendorfer Imperial Model 290 or the Bösendorfer Model 225, you will notice that these
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The Bel Canto of Life: An Interview with Sumi Jo
Korean coloratura soprano Sumi Jo made her reputation in Europe starting in the late 1980s with appearances at the Salzburg Festival, the Vienna State Opera, and the Metropolitan Opera. She will be appearing at the Guangzhou Opera House in May
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Kinds of Orchestras
In many cities, there are multiple orchestras and although we might think that they differentiate themselves solely through their labels: London Philharmonic and London Symphony Orchestra, etc., they may also carry other names that differentiate them by size. The smallest
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Singing in the Wind
All art, according to Walter Pater’s famous words “constantly aspires towards the condition of music.” Since architecture and music are based on rhythm, proportion and harmony, they do share a clear cultural lineage. The search for the visual equivalent of
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Amateurs take to the stage
The South London Concert Series is a unique concert concept, created and curated by myself and harpsichordist and fellow piano teacher Lorraine Liyanage. Launched in November 2013, the series offers talented amateur pianists the opportunity to perform alongside young and
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Having the Final Word
Cadenzas and Creativity
One of the most exciting moments in a concerto is when the orchestra, poised on an incomplete cadence, ceases to play and lets the soloist loose. The soloist gathers together all the melodic strings into one exciting moment of improvisation
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