Schubert

107 Posts
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Franz Schubert and His Circle of Friends IV
The baritone singer and composer Johann Michael Vogl (1768–1840) was a key figure in Schubert’s success as a Lied composer. Vogl was engaged at the Vienna Court Opera, and he met Schubert for the first time in 1817. Renowned for
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Franz Schubert and His Circle of Friends III
Franz Schubert and his close-knit circle of artist and friends frequently gathered at the large apartment of Ignaz von Sonnleithner to hold their Schubertiades. These meeting had distinct intellectual, erotic and often political undercurrents. In the aftermath of the French
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Franz Schubert and His Circle of Friends II
It is not entirely clear when Franz Schubert met Franz von Schober (1796–1882). But from the very beginning, the two men had a special relationship. Gifted, charismatic and undisciplined, Schober was tall, smooth, good-looking and a gifted orator. Basically, everything
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Franz Schubert and His Circle of Friends
Franz Schubert lived the quintessential life of an urban bachelor. He rejected the restraints and dependence of family life and found sustenance and camaraderie in a close, but ever-changing circle of friends. Perpetually short of money, he lived with various
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Franz Schubert and the Unfinished Lazarus
Between 1819 and 1820, Franz Schubert set to work on a large-scale, three-act dramatic work for six vocal soloists, chorus, and orchestra. Setting a libretto written in 1778 by August Hermann Niemeyer—modeled after Pietro Metastasio—Lazarus was originally intended to encompass
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Franz Schubert – Composer for Our Corona Times
Schubert…..makes tears catch at the edge of my eyes; such fragile hope, such powerful emotions. Ian McMillan, poet (via Twitter) I was reminded of Ian McMillan’s quote while listening to the final lunchtime lockdown concert from London’s Wigmore Hall, a
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Franz Schubert’s “Swansong”
We still don’t know exactly where the idiom “Swansong” actually originated, but presently we use it to mean a last effort or final production coming from someone in a respective field before retirement, or sometimes, death. It is probably most
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Schubert’s Moments Musicaux
A Distinct Soundworld in Microcosm
Published in 1828, the year Schubert died, and written between 1823 and 1828, the six Moments Musicaux (literally “musical moments”) are amongst Schubert’s best-loved works for piano and are as accessible to the competent amateur pianist as they are to
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