Blogs

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Everything Old is New Again:
Orff and Carmina Burana
We went to a performance recently of Orff’s Carmina Burana and really welcomed the rare chance to hear a performance of the work on stage. This is a work that is more heard on the radio or as part of
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My Three Stand Partners
Aide-de-Camp Marriages pt 1
The time you spend with a stand partner in an orchestra frequently exceeds the time you spend with your spouse. I had three long-term stand partners all vastly different in approaches. My first stand partner was the veteran and irascible
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Marc Blitzstein
A Forgotten Father of American Song
It’s hard to imagine someone who called the music of Kurt Weill (the composer of ‘Mack the Knife’) ‘drivel’ eventually writing musicals and popular songs himself. Yet for Marc Blitzstein, this huge shift in aesthetic was just the start –
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On Pilgrimage with Murakami and Liszt
Haruki Murakami’s latest novel, Colourless Tsukuru Tazaki and His Years of Pilgrimage, has just been released and there’s that curious phrase in the title: “Years of Pilgrimage.” The reference, of course, is to Franz Liszt’s celebrated piano works about his
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Alma Mahler – Giving Music Life
I’m still a little bit scared of Alma Mahler. I can feel her gigantic personality looming over me, transcending the years, inevitably offering some acid-tongued rebuke at my futile attempts to capture this complex and volatile person in writing. When
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Audition Tips
What’s the scariest monster in the closet for musicians? (I must whisper here) THE AUDITION. Any job interview inspires some trepidation, of course, but THE AUDITION— so brief, so dicey, so seemingly random— brings on tremendous doubt, misgivings and even
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Famous Musical Siblings
Musical Dynasties Part II
Talent certainly runs in the family. Celebrity brothers and sisters are everywhere. Take for example Casey and Ben Affleck, actors, Venus and Serena Williams, tennis players, or Alec and Evelyn Waugh, authors of Island in The Sun and Brideshead Revisited
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‘It’s not that weird – honest!’
The How and Why of The Hermes Experiment
‘So, I’ve got a rehearsal later.’ ‘What for?’ ‘Hermes.’ ‘What’s that?’ ‘The Hermes Experiment. It’s a quartet – harp, double bass, clarinet, and soprano.’
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