I’m still a little bit scared of Alma Mahler. I can feel her gigantic personality looming over me, transcending the years, inevitably offering some acid-tongued rebuke at my futile attempts to capture this complex and volatile person in writing. When

What’s the scariest monster in the closet for musicians? (I must whisper here) THE AUDITION. Any job interview inspires some trepidation, of course, but THE AUDITION— so brief, so dicey, so seemingly random— brings on tremendous doubt, misgivings and even

Talent certainly runs in the family. Celebrity brothers and sisters are everywhere. Take for example Casey and Ben Affleck, actors, Venus and Serena Williams, tennis players, or Alec and Evelyn Waugh, authors of Island in The Sun and Brideshead Revisited

‘So, I’ve got a rehearsal later.’ ‘What for?’ ‘Hermes.’ ‘What’s that?’ ‘The Hermes Experiment. It’s a quartet – harp, double bass, clarinet, and soprano.’

There’s a storm brewing in classical music. The quandary: #1 how far are we willing to go to achieve reaching out? Can we pursue change without freaking out our musicians and loyal concert attendees? #2 how do we remedy the

Before we enter that hallowed space—the concert stage— there are the ritual last minute precautions—men: fly zipped, check; women: hooks and buttons fastened especially in the front, check; string players: extra strings, check; oboe and bassoon players: good reeds soaking

Britten: Owen Wingrave, Op. 85 A TV opera? Yep, it happened… Back in 1971 to be precise, when Benjamin Britten wrote Owen Wingrave for the BBC. The opera was taken from TV-land and given a live revival this summer, to

When I get woken up in the morning, the first thought that comes to mind is ‘Do I have to get up?’, which is then usually interrupted by ‘Mmmm, what am I looking forward to eating today?’ Yes, food plays