We recently explored how to learn to read the notes of a piece of music. But that’s only half the battle! We can’t read music until we learn the rhythms too. Counting involves mathematics…not always everyone’s favorite subject. As a

Joseph Boulogne, Chevalier de Saint-Georges (1748-1799) was the darling of French Society, and he was one of the most accomplished men of his age. Born in St. Dominique—now Haiti—to a wealthy plantation owner and his black Senegalese slave Nanon, “said

If you’re a cellist, and particularly if you’re early in your cello education, the thing you need most is an example. Actually seeing how a cellist plays the instrument, how she moves her bow, and what her fingers do is

I am not always convinced about soundtracks. On the one hand, I regret music being composed, recorded and produced for the sole purpose of being an accompanying sound to a busy image. On the other hand, when developed rightly there

I started the piano when I was five. My parents, both musicians, sensed I had talent because after my mother taught a piano lesson I would pick out the tunes with my pudgy little hands. But my first lessons were

They sit in rows, earphones on, doll in hand, and hand poised. A sound emerges, as much like singing as you can imagine. It’s a matryomin ensemble. Invented in 2003 by Japanese theremin player Masami Takeuchi, the matryomin combines two

Discovering Beethoven: A Visual Introduction Beethoven is well-known by all. However, to some this knowledge is often peripheral — just as one would not recognise an obscure Van Gogh when facing it, some average listener could struggle in identifying some

Hot off the heels of the release of their latest album Stabat, I chat to Graham Ross, Director of Music at Clare College, Cambridge about their newest release, featuring the music of Arvo Pärt alongside works by Pēteris Vasks and