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Musical Instruments on the Title Pages of 16th- and 17th-Century Music
We were looking at some music title pages from a collection in the Bibliothèque Nationale and found some interesting representations of music as part of the title page designs. In this title page for a book of keyboard music from
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On This Day
24 October: Franz Lehár Died
With his operetta The Merry Widow, the Austro-Hungarian composer Franz Lehár crafted one of the most popular and enduring works in the genre. In fact, it was the favourite work of Adolf Hitler, who called it “equal to the best
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On This Day
23 October: Kirill Gerstein Was Born
Pianist Kirill Gerstein was the youngest student ever to enter the Berklee College of Music in Boston at the age of 14. Several decades later, he is considered one of the most distinguished classical artists of his generation, engaging in
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What Happened to Chopin’s Beloved Composer Sister Ludwika Jędrzejewicz?
Throughout the history of classical music, it’s common to find examples of talented sibling pairs. (In fact, we wrote about some of the forgotten musical siblings) Wolfgang Amadeus Mozart worshiped his older sister Maria Anna Mozart as a child, and
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On This Day
22 October: Xavier de Maistre Was Born
The French harp virtuoso Xavier de Maistre has been called a musician of the highest order, “capable of realizing a remarkable range of nuance.” A profoundly creative musician, he has decisively broadened the harp repertoire by commissioning new works, and
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Isn’t it Time for More Entertaining Musical Puns?
Becoming a musician takes years of serious practice, discipline, motivation, concentration, and dedication. We spend countless hours alone to perfect our playing. When we get together it always helps to laugh a little. Musicians are the first to admit they
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The Last Romantic: Top Ten Takeaways from the Vladimir Horowitz Documentary
The film Vladimir Horowitz: The Last Romantic begins with a shot of a frail elderly man in the back of a taxi. “Mr. Horowitz, you look very, very good,” a voice says offscreen. Thirty seconds later, we cut to the
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On Technique
Technique, technique, technique. Practice, practice, practice. Much of the performing musician’s life seems to be centred around practice, development, and improvement of the technique. It is true that technique is essential to the communication of the ideas of the composer,
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