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My Three Stand Partners
Aide-de-Camp Marriages pt 1
The time you spend with a stand partner in an orchestra frequently exceeds the time you spend with your spouse. I had three long-term stand partners all vastly different in approaches. My first stand partner was the veteran and irascible
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Marc Blitzstein
A Forgotten Father of American Song
It’s hard to imagine someone who called the music of Kurt Weill (the composer of ‘Mack the Knife’) ‘drivel’ eventually writing musicals and popular songs himself. Yet for Marc Blitzstein, this huge shift in aesthetic was just the start –
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A Land of Musical Treasures
What are my impressions of Poland? The deadly WWII, Holocaust and Threnody to the Victims of Hiroshima… Throughout my college years, this country always appeared to me as miserable. This year in March, after a month long struggle, I finally
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On Pilgrimage with Murakami and Liszt
Haruki Murakami’s latest novel, Colourless Tsukuru Tazaki and His Years of Pilgrimage, has just been released and there’s that curious phrase in the title: “Years of Pilgrimage.” The reference, of course, is to Franz Liszt’s celebrated piano works about his
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Alma Mahler – Giving Music Life
I’m still a little bit scared of Alma Mahler. I can feel her gigantic personality looming over me, transcending the years, inevitably offering some acid-tongued rebuke at my futile attempts to capture this complex and volatile person in writing. When
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Mazeppa: Endless Battles for Ukraine
“It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets.” Voltaire was certainly right on the money about warfare and humanity. And he was also right about the
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Audition Tips
What’s the scariest monster in the closet for musicians? (I must whisper here) THE AUDITION. Any job interview inspires some trepidation, of course, but THE AUDITION— so brief, so dicey, so seemingly random— brings on tremendous doubt, misgivings and even
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Salzburg Festival
It’s not for “Jedermann”!
The War to end all Wars—as World War I was colloquially known—put a brutal stop to most cultural events on the European continent. Although some determined aficionados managed to ignore the devastation caused by this all-encompassing conflict, most theaters, opera
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